Once upon a time, Letcher was like many other neo-pagan folk musicians: a practicing druid who believed the mythos that his faith and music were authentic recoveries from an idyllic pagan era. He got involved in direct democracy protests and wrote songs about the green man of the woods—pagan songs for pagan people—about identifying as something outside the mainstream, tied to the past. But in the mid-1990s, he encountered Ronald Hutton, a professor of pre-Christian British religion and neo-paganism, at a druid camp in Wiltshire. Over the course of 40 minutes, Hutton demolished all the mythos Letcher believed in and pushed him back into academia. In grappling with his shattered beliefs in a new university environment, Letcher decided to hold onto the mythology, magic, and music of his druid folk protestor days as images, tools, and vessels, set to a different purpose and speaking to a much wider audience than just fellow neo-pagans.
This Guy Wants to Trip You Into a Parallel Reality Via Bagpipes | VICE | United States